Colour-Full
The world consists of so many
colours, and these are what make life so interesting; so awake and different
than forlorn desaturation. This comparison is used in so many writings and
metaphors of life. In this we understand how deep the idea can be. In
photography colors are also very important. Speaking of my previous writing, we
know that taking pictures and editing them is an incredibly creative thing, and
this is very exciting. Knowing this we can include grayscale images in our
creativity, though it is very different than colour images. Everyone sees
things differently and black and white photography is just as unique as colour
photography. Right now we’re looking at different color models. RGB
(Red-Blue-Green) or CMYK (Cyan-Magenta-Yellow-Key Black)?
RGB is common to me, as Photoshop and all other editing programs
I’ve used, manipulate this model by default. Also, this is the colour model you
learn about in your junior high art class, and even elementary. Red, blue and green, the primary colors and
their overlaps are secondary colours. All other colours are derivatives of
these six. Cool right? In photography a camera’s sensor will pick up tons of
different colours that could never be generated on a computer’s screen. This is
why we have colour models, which then convert impossible colours to an
alternative colour, that a computer is able to process. The RGB colour model is
an example of this. It is commonly used in camera-to-printer photography, where
a photographer will take a picture and print off the memory card. The model is called
sRGB, created by HP and Microsoft, specifically for digital
screens, printers and the internet. It’s convenient in this setting because of
its compatibility with commercial photo printers (studios and kiosks in stores
like Wal-mart or Staples), which print in sRGB. Note that
sRGB is a digitally compatible colour model; the same as RGB, just for
technology. As I mention just before, the RGB model is also used for online
work. All colors seen, are generated using the RGB model, because it’s bright
and sharp, contrasting with CMYK which does take a more shaded appearance.
Onto CMYK. RGB model is based on light, meaning the more colour, the
lighter a selection will be. All the colours combined produce white. This is
unlike CMYK. This model is designed around the premise that colours absorb
light, the end product of a total combination being black. Not a definite black
though, a muddy gray lacking detail and contrast. The biggest use is in
printing, as a colour image is made of ink. Each ink cartridge has a different
colour within, each color contributing to that gray I was talking about. This
is completely opposite an RGB model, thus why we can conclude that an RGB image
viewed on a computer monitor will not be rendered the same, through a printer. This
is why you need to look at a photo rendered in the CMYK model on your screen,
before you print. This is achievable through changing your editing program’s color space (the color model your program uses to render an image).
In the end, both color models are valuable in their allotted fields; RGB
being used on the internet and low-profile consumer photography
(camera-to-printer), while CMYK is used in general printing (printing without
focusing on color, like text documents; not photographs). As a photographer I
would lean towards the sRGB color model because it’s bright and produces good
results when printing a picture. The final result should be rich in saturation
and sharp. CMYK just won’t produce that.
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